"Hilarious . . . Readers with a finely tuned sense of the absurd are going to adore the Technicolor ride." —Booklist
"Fantasy done to a clever, grotesque, nonsensical turn." —Chicago Sun-Times
"A work of mischievous imagination and outrageous invention." —Time Out Chicago
"An extraordinary and delightfully weird romp that’s one part China Mieville, one part Lemony Snicket, with trace amounts of Madeline L’Engle and Roald Dahl . . . Kennedy has filled 400+ pages with a series of strange turn-ups and adventures that grow progressively more outlandish and funny, such that when you think he’s surely run out of runway and must crash, he finds new, unsuspected weirdness to explore.” —Cory Doctorow, author of Little Brother, For The Win, and co-editor of Boing Boing
Saturday, October 3, 2020
The UTAH online screening for the Salt Lake City Public Library, Orem Public Library, and Treehouse Museum of Ogden! The screening will premiere at 6 pm MST here. Hosted by authors James Kennedy (The Order of Odd-Fish) and Keir Graff (The Tiny Mansion). Made possible by Utah Humanities.
I am interviewed by Betsy Bird for the School Library Journal’s Fuse #8 blog. Check it out if you want to read about my opinions on Zork, my life in the convent, and why The Jeffersons is superior to Catcher in the Rye. Many in the comments section deem this the “Best. Interview. Ever.” Dare you disagree? I am interviewed by the lovely Senfaye on A Maze Of Books. Read it if you’re curious as to why I chose to end the interview by saying “I hate you”—and why when Senfaye asked “What’s your favorite food?” I replied “Your skull.” It’s scandalous! I am interviewed by Amy Alessio for the Young Adult Library Services Association (YALSA). Read about my experiences as a junior high school science teacher—in particular, of how the entire faculty was mysteriously menaced by a obscene note-writing student known only as “The Foggy Wiener.” I also talk about my participation in Japan’s violent “Naked Man” Festival, and how I discovered the President of the ALA is a whimsical hobo. Order of Odd-Fish Week on Murphblog. Check out Paul Michael Murphy's monster five-part interview with me! Part One, the road to publication; Part Two, on writing; Part Three, I reveal the thing I will always find funny; Part Four, the "lightning round"; Part Five, a Create-Your-Own-Odd-Fish-Specialty contest (entries are in the comments section); and I judge the winner of the contest. I am interviewed by Melissa at the Book Nut blog. I talk about the difficulties of getting The Order of Odd-Fish published, my high school friend who was the inspiration for Jo, the idea of an “urban Narnia,” and the origin of the All-Devouring Mother character. Melissa also posted a glowing review here.
Hoo man oh nelly, Jessica’s good! When I was first told that Audible was producing an audiobook for The Order of Odd-Fish, I kinda wanted to be the reader myself. Not anymore. Jessica nailed it. She’s a terrific actress, with a million voices and accents—how does she keep track of them all and keep them consistent? She did a much better job than I ever could’ve done. (I especially like her languid, flirtatious Aunt Lily.) Jessica’s comic delivery and timing makes me laugh out loud at my own book—which either means I’m an incredible narcissist, or that Jessica Almasy has got the goods. She’s got the goods!
In Part Five of Odd-Fish week, Paul proposes a contest: for you to make your own specialty for the Order of Odd-Fish! Prize is a personalized, autographed hardback of Odd-Fish from me, plus a CD of the Odd-Fish mix tape / soundtrack, and—Paul’s idea—if you’re a writer, a “first-pages” critique from me. (For what that’s worth!) Some contestants have already submitted their invented specialties in the comments section. The competition is stiff!
Thanks, Paul, for hosting such a fantastic Odd-Fish week on your blog! I’m looking forward to meeting you in real life.
Katie’s ending reveals that the bubble gum monster is a force of chaos who works for neither side. Probably impatient with the endless squabbling of both the moneymen and the strange ship monsters, he ties them all up, probably just to get them to calm down and talk reasonably about their problems. But the bubble gum monster learns that lone wolves are soon running dogs. The droid 5-0-6 saves the day with his inimitable style. But I’ll let Katie tell the story, with her great drawings and—wait a second! Is her bubble gum monster a cyclops—just like the moneyman whose shell was broken? Suddenly new levels of gnostic meaning open before me. WHAT ARE YOU TELLING ME, KATIE?! I have a feeling you’re toying with us all.
The bubble gum monster also figures prominently in Alex Hait’s ending. Alex is an extraordinary artist: the battle scene is marvelously unhinged, especially his many-limbed space ship. But I particularly love his bubble gum man, who grins maliciously as he wraps up Carziperes, Diploziperes, and Zarzit in a huge bubble (which also seems to make the monsters fall asleep). Look at his feral glare in the last frame. What does he intend to do with the three monsters now that they are wrapped up in his bubble? The story ends, and our imagination is left to supply the horrifying denouement. Alex, like Katie, realizes that some questions are better left unanswered.
