"A genre-bending horror thriller that grapples with adolescent desire and existential dread... Gooey, gory, and frightening, Kennedy's latest will appeal to fans of coming-of-age horror."—Booklist
"An eerie, surrealist twist on the American Midwest, highlighting everything unusual about small-town living... the focus on creating a desolate and strange atmosphere pays off. Horror fans who value ambiance over jump scares will want to check this out."—Publishers Weekly
"A Lynchian sense of creeping nastiness, rooted in the way small-town life can be stifling, pervades a novel that, as its various plot strands come together, has a whirlwind energy that's hard to resist. Four stars."—SFX Magazine
"Strap yourselves in for a super-storm of psycho-sexual intensity: American gothic, full-blown horror, wrapped up in an adolescent coming-of-age tale... Don’t try to understand, just get swept up and enjoy the ride."—Daily Mail
"Audaciously clever and well written... [a] superb piece of storytelling: vivid, thought provoking and unsettling. After you finish it you’ll want to go back to the start and read it again." —SFX Magazine
"A razor-smart sci-fi corporate noir nightmare. Dare to Know is what happens when Willy Loman sees through the Matrix. A heartbreaking, time-bending, galactic mindbender delivered in the mordantly funny clip of a doomed antihero."
—Daniel Kraus, co-author of The Shape of Water
"Hilarious . . . Readers with a finely tuned sense of the absurd are going to adore the Technicolor ride." —Booklist
"Fantasy done to a clever, grotesque, nonsensical turn." —Chicago Sun-Times
"A work of mischievous imagination and outrageous invention." —Time Out Chicago
"An extraordinary and delightfully weird romp that’s one part China Mieville, one part Lemony Snicket, with trace amounts of Madeline L’Engle and Roald Dahl . . . Kennedy has filled 400+ pages with a series of strange turn-ups and adventures that grow progressively more outlandish and funny, such that when you think he’s surely run out of runway and must crash, he finds new, unsuspected weirdness to explore.” —Cory Doctorow, author of Little Brother, For The Win, and co-editor of Boing Boing
Saturday, February 22, 2025
The BROOKLYN, NY screening of the 14th annual 90-Second Newbery Film Festival. Hosted by me and Newbery Honor winner Rita Williams-Garcia (One Crazy Summer and more). At the Brooklyn Public Library Central Library (10 Grand Army Plaza) in the Dweck Auditorium. 1 pm. Get your FREE tickets here.
Saturday, March 8, 2025
Appearing at the Local Author Fair at the Schaumburg Township District Library (130 S. Roselle Road, Schaumburg, IL). 12-3 pm.
Sunday, March 9, 2025
The CHICAGO screening of the 14th annual 90-Second Newbery Film Festival. Hosted by me and Keir Graff (author of The Tiny Mansion, Minerva Keen's Detective Club, and more). At the Harold Washington Library Center (400 S State St.) in the Pritzker Auditorium. 2 pm. Get your FREE tickets here.
Saturday, March 15, 2025
I'm appearing at Indiana Comic Con in Indianapolis, IN! At 11 am I am doing a panel called "The Hero Doesn't Always Journey: Crafting Characters" in Room 140 with Stephanie Carr, Annie Sullivan, and Jade Young. At 12 pm I am doing "Battle of the Tropes" with Stephanie Carr, Alana Kay, Lexi Ryan, and Jade Young in Room 139. At 7 pm I am leading a discussion "From Eraserhead to Twin Peaks and Beyond: The Art of David Lynch" in Room 133. And at 8 pm I am doing a panel called "Oh! The Horror!" with Chris Alexander, Stephanie Carr, and Jeffrey Reddick in Room 109. At the Indianapolis Convention Center (100 S Capitol Ave, Indianapolis, IN). Complete info about my appearances here.
Monday, March 24, 2025
Special extended deadline for entries for the Rochester (4/5), Boston (4/12), Minneapolis (4/26), San Antonio (5/3), and Tacoma (5/30) screenings of the 90-Second Newbery Film Festival.
Saturday, April 5, 2025
The ROCHESTER, NY screening of the 14th annual 90-Second Newbery Film Festival. At the George Eastman Museum (900 East Ave) in the Dryden Theater. Hosted by me and the legendary Bruce Coville (author of My Teacher is an Alien and more). 2 pm. Get your FREE tickets here.
Saturday, April 12, 2025
The BOSTON screening of the 14th annual 90-Second Newbery Film Festival. Hosted by me and Rebecca Kim Wells (author of Briar Girls, Shatter the Sky, and Storm the Earth). At the Boston Public Library, in Rabb Hall at the Central Library in Copley Square (700 Boylston Street). 3 pm. Get your FREE tickets here.
Saturday, April 26, 2025
The MINNEAPOLIS screening of the 14th annual 90-Second Newbery Film Festival. Hosted by me and Jacqueline West (author of Long Lost, The Books of Elsewhere, The Collectors, and more). At the Minneapolis Central Library (300 Nicollet Mall) in Pohlad Hall. Get your FREE tickets here.
Friday, May 30, 2025
The TACOMA, WA screening of the 14th annual 90-Second Newbery Film Festival. At Grant Center for the Expressive Arts (2510 N 11th St.). Hosted by me and Tacoma's own Doug Mackey. 5 pm. Get your FREE tickets here.
Speculative Thrillers That Blur The Line Between Physics and Philosophy. An article I wrote for Crimereads.com in which I talk about "metaphysical technology" in the works of Isaac Asimov, Cixin Liu, Tanizaki Junichiro, Kelly Link, Colson Whitehead, Thomas Ligotti, Angela Carter, Susannah Clarke, and even obscurities like T.L Sherred and text adventure writer Brian Moriarty (anyone else remember Infocom's Trinity?) Interview for the Chicago Review of Books. Devi Bhaduri interviews me about our changing emotional relationship to technology, my "Elf Theory" of friendship, and how L. Ron Hubbard stole the girlfriend (and life savings) of one of the people who inspired Dare to Know. Interview for Shelf Awareness. Paul Dinh-McCrillis reviews Dare To Know and interviews me. Find out which parts of the book are inspired by Del Close's death-visions, a baffling cab ride I took with my wife, and why I dread December 19, 2046! Interview for the Japanese Consulate's E-Japan Journal. Austin Gilkeson interviews me about my time in the Japan Exchange and Teaching Program (JET) from 2004-2006. We discuss how living in Japan inspired me for The Order of Odd-Fish and Dare To Know, plus we talk about my experiences on the 88 Temples of Shikoku Pilgrimage and the time a Japanese schoolboy sang Avril Lavigne's "Complicated" to me on the train.
The 90-Second Newbery Film Festival. I founded a film festival in which kid filmmakers create weird short movies that tell the entire stories of Newbery-winning books in about 90 seconds. Now in its 6th year, it screens annually in 14 cities: New York, Chicago, San Francisco, and many others! The movies the kids create are weird, funny, and impressive. Learn more about the film festival here. The Secrets of Story Podcast. I host a podcast with Matt Bird, the author of a book and blog called The Secrets of Story, in which we discuss (okay, argue about) advice for novelists and screenwriters. The Classroom Guide to The Order of Odd-Fish. I've put together a 44-page Teacher's Guide / curriculum for Odd-Fish! It's a treasure trove of creative project ideas, discussion questions, chapter worksheets, and further resources. It also features fan art by enthusiastic teen readers of Odd-Fish.(This art was featured in a fan art gallery show in Chicago in April 2010.) You can download the teacher's guide for free here. It's a mixtape for The Order of Odd-Fish. Listen to a stream of the songs I chose for an imaginary "movie soundtrack" for Odd-Fish, and read why I chose them. Lots of different stuff: French ye-ye, Kinshasa street bands, pseudo-classical, puzzling blippity-bloopity music, and more. I used to be in a band called Brilliant Pebbles. We had been variously described as "melodramatic video game music," "moon-man opera," and "gypsy sex metal." It's over now, but I loved being in this band.
Email: kennedyjames [at] gmail [dot] com Twitter: @iamjameskennedy
Here I am with my niece Freya (back in 2004). Everyone thinks their own niece is brilliant, but there was something terrifying about Freya from an early age.
At eighteen months old, at a visit to the pediatrician, she looked up to the doctor and politely inquired, “May I see your stethoscope?”
At four years old, she was asked her say three words that began with “S.” Freya replied, “Sugar. Silly. Suffragette.” Four years old. I don’t think I really knew what “suffragette” meant until my twenties. When asked for three words that began with “J,” she said, “Judas. Jerusalem. Jackass.” Huh?
Her manner reminded me of Paul Atreides’ little sister Alia from Dune:
Freya is a writer as well. We used to meet every week at Humboldt Pie, a now-defunct coffeehouse around the corner from my house, to talk about our works-in-progress. It’s as close as I’ve ever come to a writing group.
Freya is working on a novel called The Cosmic Key. The last time I checked, it was over 100 pages long. Every week at Humboldt Pie I’d sit, listen to her, and diligently scribble down everything she said as she described The Cosmic Key’s plot and characters. Trust me: if Freya ever gets around to finishing the insane, heartbreaking, terrifying story, it will be epic.
The situation reminded me of Dr. Wilde taking dictation from “Precious,” the horror-film writing girl in Like A Velvet Glove Cast in Iron:
Now, as you probably know, two weeks ago my wife Heather gave birth to our first child, Lucy Momo Kennedy. As I mentioned in that post, Heather and I were in the middle of Scrabble when her water broke. I speculated: might the words of that interrupted Scrabble game, rearranged into story form, provide some clue to Lucy’s future?
Freya rose to the challenge, and wrote that very story!
She kindly gave me permission to post it here on the blog. The words from the Scrabble board are underlined. It sounds like a pretty good future for Lucy—thanks for another great story, Freya! (Though I confess I’m curious as to why she had to pawn all those boas . . . )
And now: Lucy’s life, predicted using the words from Heather’s and my abandoned Scrabble game, written by Freya, age 11:
LUCY MOMO
AGE 13, 2022
“Aha!” Lucy pulled the can opener out from the drawer. “There you are, you little bugger.”
She crossed the kitchen to the opposite counter, where the can of pears that she needed the opener for sat, almost smugly, as though it was saying, Nyah nyah, Lucy, you’ll never get my delicious pears. Go ahead and break your nails on my lid! Sure, it’s supposed to be “hand-open–able,” but you and I both know that’s not true, don’t we?
“Stupid can,” mumbled the thirteen-year-old girl. “Why can’t Dad get jars instead?”
Lucy put opener to lid, and in her mind the can cried, No! No, anything but that! Not the can opener! Nooooo! My lid is hand-open-ablllllleeeeee . . . Lucy had a sudden funny vision of a can of pears being chased by a rabid can opener. She giggled.
“Mom’s right,” she thought as she spooned the pears into a bowl. “I do have a morbid side.”
Her dark-blond bangs falling in her eyes, Lucy walked to the dining room table, snagging a fork on the way. As she sat down to eat her pears, she thought about her life.
She had been born on May 4th, 2009. Now it was 2022, and 2009 seemed so long ago. Her full name was Lucy Momo Kennedy, “momo” meaning “peach” in Japanese. Her parents were Heather Norborg and James Kennedy. Also in her family were Aunt Jennifer, her mother’s older sister, and Jennifer’s husband, Max. Their children were Theo, age 21, and Freya, age 24. Freya was the only one besides her parents who called her “Momo” on a regular basis.
Lucy sighed and got up from the table. She opened her backpack and took out her homework, an assignment on tax. Sitting down again, she set herself to the task of completing it.
Once that was done, Lucy started her other homework, an activity on Farsi. She was attempting to learn many different languages from around the world. Lucy was aspiring to be a great traveler when she was old enough, and wanted to be able to speak to people everywhere she went. So far she was pretty good in Spanish and French, but she felt she needed more Middle Eastern languages.
Eventually, the worksheet on Farsi was finished, and Lucy only had one other assignment. This was to find as many words as she possibly could out of the word PHOSPHATIDYLETHANOLAMINE, which they were studying in science class.
Lucy started with the obvious, the word HAT. She then stared at her paper, feeling her brain go blank. Oh well, the homework wasn’t due till Monday. Lucy picked up her fork and went to work on her pears again.
Just then, her father came in. His wild hair stuck up on all sides of his head like a scrub brush, albeit one that had dyed its bristles blond and gone punk. Lucy looked up, said, “Hi, Daddy,” and went back to her pears.
“WHAT?!” bellowed James Kennedy in fake outrage, acting to the best of his ability. “I, the great DADDY, MASTER OF THIS DWELLING, am not IMMEDIATELY REGALED AT THE DOORSTEP?!”
“Da-ad!” cried Lucy, laughing. She ran to him. Her father accepted her with outstretched arms, and mussed her hair. “Man, your hair’s getting long. What do you think, is it time to bring out the scissors and snip an inch or two?”
“Dad, if anyone needs a haircut around here, it’s you.”
James fingered his own hair. “Yeah, I guess you’re right.” Suddenly, he swung his daughter up onto his hip. “Jeez! You’re getting big!” he groaned, and set her down again. “Remind me not to do that anymore. You’ll break my back!”
Lucy giggled, and her father tickled her, and she tickled him back, and then they were romping around in a fabulous game of Can-You-Tickle-Me, which was something they had invented together.
After about an hour, Lucy’s mother, Heather Norborg, came home. She laughingly broke up the game of Can-You-Tickle-Me, sent Lucy and James off to set the table, and herself set about picking up all the things that had been knocked over while they had been playing.
Once dinner was on the table and everyone was seated, Lucy scanned the food. She had a habit of making strange, interesting observations about things at supper that pretty much carried the conversation until everything had been eaten. Tonight, her comment was, “There are five things to eat tonight. Potatoes, meat, green beans, bread, and soup. There also was, 25 years ago, a British band named Five. I wonder, are there any resemblances, physical or personality-wise, between the members of that band and the five dishes here?” the girl then proceeded to encrust the surface of her meat with a thin layer of mashed potatoes.
This amazing observation worked quite well, and the rest of the meal was spent discussing Lucy’s topic.
Perhaps here would be a good opportunity to describe Miss Lucy Momo Kennedy. I shall begin.
Lucy was thin and pretty, her darkish blond hair falling to her shoulders. Her eyes were hazelly-blue, a strangely beautiful combination. She was polite when it was needed, but could deliver cutting insults. Lucy was a good girl at home, always helping her parents. She had a wonderful sense of humor and creativity, inherited from her father, and a sensible, sweet side, inherited from her mother. She was unpredictable, sometimes leaping up in the middle of a quiet board game and yelling, “CROON! CROON! IT’S THE MOST INTERESTING WORD I’VE EVER HEARD!” Sometimes the shout-out was different, but it was always the same situation. Once, she was playing Scrabble with James, and had just leaned forward to make a move when she suddenly had the burning desire to jump to her feet and dash around the apartment, shouting “CHICKEN TENDERS! CHICKEN TENDERS! THEY ARE SO DELICIOUS, OH!” When this kind of thing happened, James and Heather always took it with a laugh and a tendency to join in.
In Lucy’s room, there was a closet full of old clothes, for the times when Lucy had the whim to put on a little one-person play, which she did often. In this closet there was a drawer full of uglyboas, and Lucy was frequently selling these and buying more. Once she had pawned seventeen of them at one time! Also in the closet was a model river, built by Lucy and her mother. On one bank of the river was a very realistic levee, which Lucy had crafted all by herself with no help from Heather. Lucy prized the model above all of her other possessions, and she kept high in the closet, where “it would never be touched, not in its whole life.”
Truly, Lucy is an astoundingly wonderful personality, and if you have never met her, I hope you will someday.
Note: The words “qi” and “eloi” were not used in this story, owing to the fact that the writer has no idea what they mean.
Thanks, Freya! I’m looking forward to many more great stories. (Now get cracking on The Cosmic Key!)